Forget Ginger Baker..a great drummer, but if Bonzo wanted to go that route, eventually, he could do it. And with as much skill and technique, he provided the same on his bass drum too. He was a drummer where feel came first, time second. An often overlooked aspect of Bonhams considerable talents was his frequent use of ghost notes to accentuate his feel and add subtle texture to a groove. In closing I want to say happy birthday to the most intelligent, powerful, soulful, nimble, quickest, passionate and and talented rock drummer of all time. COOL!!! Should you learn to play drums like Bonham, youll be able to start this up like a motor, on any drum, with either hand or foot, and perform all over the drums, without throwing a stick or becoming entangled in your own limbs, except to be funny. After Bonham made the important discovery that all drumming is just triplets, or should be, he then proceeded to play them while flying around the kit with blinding speed, hitting every drum and cymbal in those negligible spaces between the triplets, jamming like hell inside those brief spaces then plunging the whole kit into dead silence., Can you learn to do this? This could also explain Bonhams preference for an unported front bass drumhead. Then, mixing singles and doubles, he ends the phrase by emphasizing the last note of each triplet on the kick, an orchestration that Bonham made frequent use of throughout his career. Did he use any moon gel or stuff a duvet into the bass drum? Simple yet genius. As much as Bonham enjoyed the funky syncopation of Good Times Bad Times and Over The Hills And Far Away, he would sometimes take the complete opposite approach, and the results were always stunning. It all begins with the triplet, the thump-pe-da, thump-pe-da, thump-pe-da rhythm the Led Zeppelin drummer plays on every piece of the kit. . Awesome picture! Bass drum tuning/prep for Bonham"ish
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